Between the parishes of Shepfold and Martlake in Somerset existed an area of no- man’s- land and a lot of ill feeling.
Just as the nearby towns of Glastonbury and Wells were constantly at odds, so did these two small villages dispute over whose pigs had a right to graze on the beech mast of the intervening forest, which stream was diverted to irrigate whose crops, whose goats trespassed over the boundary and ate whose laundry, etc., etc.
Today, Lammas Saturday, after a fine summer that had enabled the harvest to be brought in exceptionally early, the two sets of villagers, everybody who could walk and even some who couldn’t, faced each other across this strip of ground on which had been erected a dais to accommodate Lady Emma of Wolvercote (her manor was in Shepfold), her husband, and Sir Richard de Mayne (his manor was in Martlake), the two parish priests, an Arab doctor, his attendant, an elderly woman, and a ball the size of a good pumpkin consisting of tough leather stitched over a globe of withies stuffed with sawdust.
Father Ignatius (Shepfold) made the last of many appeals to prevent what was going to happen.
“My lady, Sir Richard, it is not too late to avert this evil and send all home . . . the sheriff has specifi cally banned . . .”
His protest fell on stony ground. Staring straight ahead, Sir
Richard said: “If Shepfold is prepared to be humiliated yet again, who am I to disappoint it.”
Lady Emma, also refusing to turn her head, breathed heavily through her pretty nose. “This year it will be Martlake who is humiliated.” Master Roetger, the tall German leaning on a crutch beside her, gave her an approving and husbandly pat on the back.
Father Ignatius sighed. He was an educated and civilized man. Tomorrow, Sunday, he thought, these people will dress in their best to bring sheaves and fruit to church and give thanks to God for His infinite bounty as was right and proper. But always, by some hideous tradition peculiar only to them, on the day before Harvest Festival they revert to paganism and turn the eve of a Christian festival into something resembling the excesses of a Lupercalia. A madness.
Adelia Aguilar sighed with him and mentally ran through the medical equipment she’d brought with her-- bandages, ointments, needles, sutures, splints.
It would be nice to think they weren’t going to be needed, but hope was outweighed by experience.
She looked up at the tall Arab eunuch standing beside her. He shrugged, helplessly. Sometimes England baffled them. They’d traveled a long way together. Both of them born in Sicily, that melting pot of races; she, an abandoned baby, probably Greek, rescued and brought up by a Jewish doctor and his wife; he, later taken into the same, good household to be her attendant, once a lost boy with a beautiful voice whom the Latin Church had castrated so that he might retain it.
Copyright © 2010 by Ariana Franklin.
Ariana Franklin’s bestselling Mistress of the Art of Death series continues with A Murderous Procession as Adelia is commanded by King Henry II to escort his daughter on her voyage to marry the King of Sicily. As a scientifically trained physician—and a woman to boot—in an age of superstition and witch hunts, Adelia knows that she is never safe, but death is even closer than she suspects. A killer has joined their caravan, and their long odyssey through Europe is turning into a voyage of the damned. The question is, who is the killer? And who is the ultimate target, the princess…or Adelia herself?
An immersive and thrilling tale that brings the medieval world to life, this is historical fiction at its best.
Hardcover: 352 pages
Publisher: Putnam Pub Group ( April 01, 2010 )
Item #: 65-0188
ISBN: 9780399156281
Product Dimensions: 5.5 x 8.25 x 0.84 inches
Product Weight: 14.0 ounces

The story focuses on Adelia, who had to leave her daughter behind with the Queen, while she accompanies the Queen's daughter, Princess Joanna, on her journey to marry the King of Sicily. At this time the princess is only 10 and is to be married to a King, which is hard to grasp in today's world, but was very common during this time period. Adelia travels along with numerous others in the procession and along the journey there are numerous murders taking place. The question is whether Adelia is in danger or the princess. To find the answer, you will have to read the book!
Even though there are odd things happening, there were definately points in the story that were humerous and I appreciated that. This is the 4th in the series of A MISTRESS OF THE ART OF DEATH, but even though I hadn't read the other three, I didn't have too much trouble keeping track of all the characters or knowing what was going on.
I became interested in the characters in the story and was trying to figure out who the "bad guys" were. Again, even though I wasn't used to this style of writing, I easily became wrapped up in the storyline. The writer uses chapters, but also has three divisions to break up the story which I liked. I also appreciated the author's notes at the end of the book. She explains that Princess Joanna's journey is a true historical event as well as explained numerous other historical figures and facts from that time period. It is obvious the author did her research before writing this novel.
Even though this was a story about murders, I found it enjoyable to read. I began to care about many of the characters and was surprised on many occasions as well as laughed. I am sure this will be another hit to those who follow the MISTRESS OF THE ART OF DEATH series.
Reviewer: Stacie G