PART 1
Across the Narrow Sea
PUTNEY, 1500
So now get up.”
Felled, dazed, silent, he has fallen; knocked full length on the cobbles of the yard. His head turns sideways; his eyes are turned toward the gate, as if someone might arrive to help him out. One blow, properly placed, could kill him now.
Blood from the gash on his head -- which was his
father’s first effort - is trickling across his face. Add to this, his left eye is blinded; but if he squints sideways, with his right eye he can see that the stitching of his father’s boot is unraveling. The twine has sprung clear of the leather, and a hard knot in it has caught his eyebrow and opened another cut.
“So now get up!” Walter is roaring down at him, working out where to kick him next. He lifts his head an inch or two, and moves forward, on his belly, trying to do it without exposing his hands, on which Walter enjoys stamping. “What are you, an eel?” his parent asks. He trots backward, gathers pace, and aims another kick.
It knocks the last breath out of him; he thinks it may be his last. His forehead returns to the ground; he lies waiting, for Walter to jump on him. The dog, Bella, is barking, shut away in an out house. I’ll miss my dog, he thinks. The yard smells of beer and blood. Someone is shouting, down on the riverbank. Nothing hurts, or perhaps it’s that everything hurts, because there is no separate pain that he can pick out. But the cold strikes him, just in one place: just through his cheekbone as it rests on the cobbles.
“Look now, look now,” Walter bellows. He hops on one foot, as if he’s dancing. “Look what I’ve done. Burst my boot, kicking your head.”
Inch by inch. Inch by inch forward. Never mind if he calls you an eel or a worm or a snake. Head down, don’t provoke him. His nose is clotted with blood and he has to open his mouth to breathe. His father’s momentary distraction at the loss of his good boot allows him the leisure to vomit. “That’s right,” Walter yells. “Spew everywhere.” Spew everywhere, on my good cobbles. “Come on, boy, get up. Let’s see you get up. By the blood of creeping Christ, stand on your feet.”
Creeping Christ? he thinks. What does he mean? His head turns sideways, his hair rests in his own vomit, the dog barks, Walter roars, and bells peal out across the water. He feels a sensation of movement, as if the filthy ground has become the Thames. It gives and sways beneath him; he lets out his breath, one great final gasp. You’ve done it this time, a voice tells Walter. But he closes his ears, or God closes them for him. He is pulled downstream, on a deep black tide.
Excerpted from the Book WOLF HALL: A Novel by Hilary Mantel. Copyright © 2009 by Hilary Mantel. Excerpted by permission from Henry Holt and Company, LLC. All rights reserved.
England in the 1520s is on the brink of complete disaster: If the king dies without a male heir, the country could easily be destroyed by civil war. Henry VIII is eager to his annul his marriage of 20 years and marry Anne Boleyn, and the pope—and most of Europe—violently opposes him. The search for the king’s freedom destroys his right-hand man, the brilliant Cardinal Wolsey, creating a power vacuum that leaves the entire country vulnerable to attack.
In Hilary Mantel’s Wolf Hall, Thomas Cromwell steps into the fray—a wholly original man, half-charmer, half-bully. Sure, he comes in and helps break the opposition…but at what price? He’s the epitome of a politician, hardened by his past defeats and yet implacable in his ambition. He’s also volatile, and utterly erratic: tender one day and murderous the next.
Mantel presents a picture of a half-made society where individuals fight or embrace their fate with courage and passion. With a sweeping array of characters and an overflow of adventure, the novel recreates an era where the personal and political are separated by a hairbreadth, success has the potential to bring unlimited power and riches—and a single failure can mean untimely death.
Softcover: 560 pages
Publisher: Henry Holt & Company, Inc. ( October 13, 2009 )
Item #: 83-4275
ISBN: 9781616643652
Product Dimensions: 5.5 x 8.25 x 0.9 inches
Product Weight: 17.0 ounces

I thought this a good read except for the frustration in trying to determine who was speaking to whom at any given moment. "He", "he", "he," doesn't work. Isn't the editor supposed to take care of things like this? If I did not have a good familiarity with the subjects involved, I would have quit before the first 100 pages. In addition, there are so many characters (other than the famous ones we all know) I had to keep going back to the list of characters to discover who they were (that is, when I could figure out who was speaking). In spite of these problems that of course permeated the entire book, I enjoyed the humor--it was very good and consistent throughout the book (especially considering the subject matter of Henry VIII, More, Cromwell and multitudes of descriptive executions).
Reviewer: Karen J
This book was tedious at best and sleep-inducing most of the time. I could not finish although I really tried. Dialogue is confusing - flits from one voice to another too quickly. Time and place moves around too much and the writing is stilted and difficult to follow. I can not see why this book won any award.
Reviewer: Carolyn C
As most readers probably know, this historical novel won the Booker Prize last year. I think most readers would find the content of this book interesting, it is the style in which it is written then will seperate those who like this book from those who do not. The author uses a breezy, airy style that almost flits about the charachters. It does not let you sink your teeth into them very deeply. In addition, the plot jumps around in time and place. The author repeatedly uses indefinite prononuns(especially "he") to refer to characters occasionally leaving the reader at a loss to whom she is referring. I came to enjoy this style but only by pressing ahead throughthe book and aborbing it as a whole as opposed to instantly tracking down every character and trying to place every scene in its historical context(I know that sounds very literary but if you read the book I think that you will know what I mean). IT helped me that a year ago I read a book by a different author (Q by Bisset) written in the same style. In that book I had no idea who anyone was or what was happening for the first 100 pages. This book is not quite as "bad". In the end, this book will have a large standard deviation in reviews, that I can guarentee. As such, it makes it a very difficult book to confidently recommend. If you are interested in the time and in tackling a book with a different style, try it. If you like your books more A to Z then not so much.
Reviewer: Richard H