A History of the Family That Shaped Britain
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Pub. Ed. $26.99
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Macbeth, in his second encounter with the three weird sisters, asks:
Yet my heart
Throbs to know one thing: tell me – if your art
Can tell so much – shall Banquo’s issue ever
Reign in this kingdom?
Advised by the witches that for his peace of mind he should ‘seek to know no more’, he yet insists and is then presented with the apparition of the long line of Banquo’s descendants, ‘a show of eight kings’.
Macbeth was played before the first Stuart king of Great Britain and Ireland, James VI of Scots and I of England, and this scene served as a compliment to him. Imaginative Scottish historians had long before ascribed a satisfyingly ancient ancestry to the House of Stewart, tracing their descent from Banquo. Hector Boece (c.1465–1536), the first principal of the University of King’s College, Aberdeen, tells the story, which Shakespeare was to repeat, of how witches met Macbeth and Banquo on a stretch of wild moorland. In Bellenden’s translation of Boece’s Latin,1 they promised Banquo that ‘you sall never be king, bot of ye sall cum mony kingis quilkes be lang progressioun sall rejose the croun of Scotland’. Macbeth, angered and disturbed by the prophecy, commissioned Banquo’s murder, but the victim’s son, Fleance, escaped and made his way to France, where he married and so became the founder of the royal House of Stewart.
It was nonsense, an agreeable fiction, but one that by the time of James VI and I was sufficiently widely believed for Shakespeare to retail it. And why not? Most royal genealogies were fanciful, descent being traced from pagan gods or mythological heroes.
The truth was more prosaic. The Stewarts came out of Brittany, land of salt-marshes and moors, saints and dolmens. Nothing is known of any member of the family before the late eleventh century – conveniently for the legend, or fabrication, since Macbeth became King of Scots in 1040. When they emerge into the light of history, it is as steward or seneschal to the Counts of Dol on the south shore of the Gulf of St Malo. In 1097, the then head of the family accompanied the Count and his feudal superior, Robert, Duke of Normandy, eldest son of William the Conqueror, on the First Crusade, and did not return.
From THE ROYAL STUARTS by Allan Massie, copyright © 2010 by the author, and reprinted by permission of Thomas Dunne Books, an imprint of St. Martin’s Press
The Stuarts ruled for over 300 years in Scotland and for a century as the Royal Family of Britain and Ireland. Their reign extended from the late Medieval period well into the Enlightenment. They were leading actors in the foremost political dramas of British history—the Scottish Wars of Independence, the Union of the Crowns, the English Civil War and the Restoration.
Drawing on the accounts of historians past and present, as well as the works of great novelists and playwrights, author Allan Massie tells the complete, nuanced story of the Stuart family, documenting their path from the salt marshes of Brittany to the thrones of Scotland and England and eventually to exile. In a series of sharply drawn, colorfully detailed character sketches, The Royal Stuarts brings to life 15 kings, queens and stewards: figures like Mary, Queen of Scots, Charles I and Bonnie Prince Charlie—uncovering a family of strong affections and fierce rivalries. Some were brave and capable, some weak and foolish, but running through virtually all of them, like a genetic inheritance, were strains of obstinacy, charm and an ability to attract and retain loyalty.
Before the first Stuart monarch occupied the British throne, of course, the family—then known as Stewart, the surname deriving from their historical status as stewards—ruled Scotland for centuries. Of Gaelic blood and Norman culture, the clan began its Scots dynasty with Robert II in 1371. James I, the “Poet King” of Scotland, asserted the rule of law over the rule of men, though his subsequent conduct undercut his ideals and led to his brutal assassination. James IV came to power in 1488 and personified the intellectual blossoming of the Renaissance. Mary Stuart’s gallantry, courage and dignity, in the face of death at Elizabeth’s order, made her the stuff of legend. Mary’s son, James VI and I, succeeded Elizabeth, uniting the kingdoms of England and Scotland under one monarch, and commissioning perhaps the greatest ever English translation of the Bible. The royal line ended in 1714 with the death of Queen Anne, yet Jacobites persisted in their attempts to reclaim the throne well into the mid-18th century.
In this fascinating and intimate portrait of the Stuarts, Massie takes us deep into one of history’s bloodiest and most tumultuous reigns. Exploring the family’s lineage from the first Stuart king to the last, The Royal Stuarts is a panoramic popular history of this most controversial and divisive of royal families. Told with panache and pace, adventurous and opinionated, this is the gripping true story of backstabbing, betrayal and ambition gone awry, steeped in blood, guts and gore, scandal, intrigue, murder and revenge. History buffs and aficionados of British royalty will find themselves engrossed.
Hardcover : 384 pages
Publisher: St. Martins Press, LLC ( December 20, 2011 )
Item #: 13-472494
ISBN: 9780312581756
Product Dimensions: 5.5 x 8.25 x 0.86inches
Product Weight: 14.0 ounces (View shipping rates and policies)

A decent enough book, a bit dry but as British authors go this is better than most. The strucure of the book was good, one chapter for each ruler (King or Queen) but around 3/4 of the book I just wanted to be done reading it and the enjoyment factor was gone. Two main issues for the American reader, first the author uses British phrases that seem clumsy to American eyes, second he uses names first then drops into titles so by the end of the book you are reading about the 5th Duke of Argyll and Earl of Montrose...it can be very confusing.
Reviewer: Raymond S
I recently read the Royal Stuarts and found it fascinating. However there was a serious, glaring omission! In the table of contents was listed a page listing the illustrations in the book. There was no such page and, of course, no illustrations. The publisher should be severely criticized for this! And BOMC for not dealing with it.
Reviewer: Jon C
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